The wild things cried “Oh please don’t go – We’ll eat you up – we love you so.”
Personally I always felt that Sendak had a poor grasp of seamanship. He draws a boat with a bowsprit and with three forward stays, but the flying jib stay should be stayed much further out on the bowsprit.
And don’t get me started on the mainsail. It appears to have no boom and the mainsheet is hanked from the transom to the clew. That is just not going to work.
The luff of the mainsail is only fastened to the mast at top and bottom. That is never going to give you a laminar flow across the sail.
Not a running rope or a pulley block to be seen and what is this arrangement of shrouds and some type of ladder to climb the mast? Preposterous.
And yet such a yar craft, sprightly and trim. Firm in the chop, a good solid looking hull. Clearly has a well designed self-steering rig since Max can sit up waving in the prow as the boat beats into a headwind leaving the island.
Sendak did not illustrate a boat. He captured the idea of a sailboat, the magic of sailing, without fussing over the mechanics. As such his drawing is capturing the emotion of sailing rather than the physics, he is drawing a poem instead of a novel.